A show at Tate Britain fathoms Picasso’s influence on modern art scene

Picasso remains the 20th century’s most important artistic figure, a genius who single handedly changed the very face of modern art. Full of inspirational and beautiful works, a new show gives an insight into how British art became modern, juxtaposing some of the most influential names of the 20th century, also his avid admirers.

This major exhibition at Tate Britain, entitled ‘Picasso and Modern British Art’, explores his extensive legacy and also his influence on British art, to trace how this played a role in the acceptance of modern art in Britain. It throws light on the fascinating tale of Picasso’s connections to and affection for this country.

The show brings together over 150 spectacular artworks, with over 60 stunning Picassos including sublime paintings from the most remarkable moments in his career, such as Weeping Woman 1937 and The Three Dancers 1925. It offers the rare opportunity to see these celebrated artworks alongside seven of Picasso’s most brilliant British admirers, exploring the huge impact he had on their art: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney.

Pablo Picasso, (1881 –1973) was a Spanish master - painter, printmaker, ceramicist, and sculptor. Considered one of the most influential and greatest artists of the 20th century, he co-founded the Cubist movement. Renowned for the constructed sculpture’s invention, and the co-invention of collage, he played a major role in developing and exploring a wide variety of styles.

Commonly regarded, along with Marcel Duchamp and Henri Matisse, as one of the artists who defined the revolutionary developments in the plastic arts in the early 20th century, Picasso is was responsible for many of the significant developments in printmaking, ceramics, painting, and sculpture.

‘Picasso and Modern British Art’ is the first exhibit to trace his rise as a figure of both controversy and celebrity in Britain . From his London visit in 1919, working on the costumes and scenery for Diaghilev’s ballet; to his post-war reputation as well as political appearances; leading up to the successful 1960 Tate exhibition.