The third installment in ‘The Word of God Series’ at The Andy Warhol Museum located in Pittsburgh, which examines major world religions and their texts through contemporary art, is currently featuring works by Chitra Ganesh.
An explanatory note to ‘The Word of God(ess)’mentions: “Sacred texts are considered by many to be the direct words of God to man. How this Word is passed down and received is dependent on the people, languages and cultures in which it is presented! The works explore the questions like: what is the best version of the Word of God; and does the artistic rendering of it enhance understanding or is some essential truth lost in translation?”
A 21 part piece, ‘Tales of Amnesia’, is based on Amar Chitra Katha, a popular comic strip. It’s a testimony to the artist’s practice that combines an array of visual languages, curious cannons and diverse cultures, including Bollywood cinema, comic books, iconic Hindu goddesses etc. The artist creates cross-cultural narratives about sexuality and power that may smartly fit in comic book frames wherein interior thoughts are revealed in bubbles or hover in psychedelic space - as in her wall installations- with three-dimensional elements that tend to protrude into contemporary reality.
A couple of years ago, her wall creation at P.S.1 Contemporary Art Center located at Long Island City, NY was also very much appreciated. It is considered among the largest and the oldest non-profit contemporary art institutions in the US that acts as a catalyst for new ideas, trends, and discourses in contemporary art.
The work at P.S.1 lobby by this versatile and innovative Indian artist features elements in India and Sumi inks, washes of color, cut paper and found objects such as plastic fruits, fake hair, and sequins. Chitra Ganesh’s work is a mix of separate productive moves that work in a perfect harmony. Even while firmly rooted in a Western, postmodern discourse, her cultural references allow her to convey the proven principle of a multiplicity as a spirit that draws together.
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