A new exhibition in Philadelphia includes masterpieces by artists like Albert Gleizes, Ernst Ludwig Kirchner, Pablo Picasso, and Paul Signac. They emphasize the French tradition of grand public paintings. Works by those like Nicolas Poussin and others underline the prevalence of the Arcadian theme.
The theme of an earthly paradise, or Arcadia, has been popular in theater, poetry, music, and art perhaps since antiquity. In France during the early 1900s, this peculiar idea of a mystical place of harmony and contentment was rather potent--illustrated in mural-sized paintings often commissioned for public viewing.
‘Gauguin, Cézanne, Matisse: Visions of Arcadia’ at the Philadelphia Museum of Art explores the theme in three such paintings of the time: Paul Gauguin’s ‘Where Do We Come From? What Are We? Where Are We Going?’ (1898), Paul Cézanne’s ‘The Large Bathers’ (1906), and Henri Matisse’s ‘Bathers by a River’ (1909-17). Placed on view together, in a dialogue of sorts, these three masterpieces take visitors to the very foundations of modern art. Here are the situations and scenarios attached with the magnificent works:
The theme of an earthly paradise, or Arcadia, has been popular in theater, poetry, music, and art perhaps since antiquity. In France during the early 1900s, this peculiar idea of a mystical place of harmony and contentment was rather potent--illustrated in mural-sized paintings often commissioned for public viewing.
‘Gauguin, Cézanne, Matisse: Visions of Arcadia’ at the Philadelphia Museum of Art explores the theme in three such paintings of the time: Paul Gauguin’s ‘Where Do We Come From? What Are We? Where Are We Going?’ (1898), Paul Cézanne’s ‘The Large Bathers’ (1906), and Henri Matisse’s ‘Bathers by a River’ (1909-17). Placed on view together, in a dialogue of sorts, these three masterpieces take visitors to the very foundations of modern art. Here are the situations and scenarios attached with the magnificent works:
- Inspired by his travels in Tahiti, Gauguin painted ‘Where Do We Come From?’ as an embodiment of his vision of Arcadia in 1898. Shortly after its completion, the painting was exhibited in Paris at the art gallery of Ambroise Vollard.
- Also in Paris at that moment were Paul Cézanne, who happened to be at work on a portrait of Vollard, and Henri Matisse, who had just abandoned his legal studies for a career in art. It’s unclear whether either Cézanne or Matisse was aware of Gauguin’s vast canvas, but it is fascinating to examine their own later masterpieces in relation to it.
- Cézanne’s Arcadian ideal is exemplified in the 1906 painting ‘The Large Bathers’, which combines figures and landscape in a stagelike setting deeply rooted in the past. Matisse, meanwhile, completed one of his own largest paintings, ‘Bathers by a River’, in several stages between 1909 and 1917.
With major loans from the Museum of Fine Arts, Boston and the Art Institute of Chicago, ‘Gauguin, Cézanne, Matisse: Visions of Arcadia’ allows visitors to experience works created during one of the most innovative and remarkable periods in the history of art.
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