S.H. Raza’s artistic evolution has been quite intriguing, starting with expressionist landscapes that became geometric representations of landscape. Gradually, the lines blurred and color began to dominate. Though landscape remained his chosen theme, it turned non-representational. Later, in the late 70’s, he began focusing on pure geometrical forms.
His images then mapped the mind’s metaphorical space. The ‘Bindu’ became more of an icon, sacred in its symbolism. He terms his work an outcome of ‘two parallel enquiries’ - aimed at a "pure plastic order" and also concerning the theme of nature. According to him, both converge into a single point to become inseparable - the ‘Bindu’.
The zestful octogenarian refuses to count his age in terms of the years he has lived, and continues to create art with same energy and vigor as he did almost sixty years ago. He describes the contemporary Indian art scene as ‘very encouraging’. On the eve of his recent visit to India, he commented: “There used to be a great influence that of European realism on Indian painters. It was not keeping with our rich tradition.
“We later realized that painting is not something seen merely with our eyes, but that it is a sum total perception of the universe visualized with mind, heart and all human faculties. In Hindi, it’s termed antargyan (knowledge of inner self).” S.H. Raza is in constant touch with the art scene in India and runs a foundation to promote young artists.
The veteran artist’s practice is greatly influenced by his love for the great Indian culture and belief system. Raza points out that artists like late MF Husain and Ram Kumar are now appreciated on the global art scene. He is happy that contemporary Indian painters are also fast rising in stature. Akhilesh, Manish Pushkale, Seema Ghuraiya, Sheetal Gatani, and Sujata Bajaj are among his favorite artists.
The celebrated artist believes that if there’s truth in the painting, it will expose and assert itself.
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