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2012
(78)
▼
February
(3)
The ŠKODA Prize winners announced
Artistic ‘adivasis’ gaining the art world’s apprec...
1x1, a throbbing hub of Indian art for investors a...
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January
(75)
A gallery that vigorously promotes Indian art in D...
A spotlight on the RPG Academy of Art & Music
How and why informal settings inspire artists?
One of India’s top art events is back
A glance at of India Art Fair organizers
World-renowned singer-artist debuts in India
An international training program for India’s muse...
‘Metamorphosing Female: Roots Emerge Upwards’
Painterly meditation on the passage of nature’s cy...
An artist who combines print making techniques, ph...
‘Perception of patterns & complexities demands his...
The RPG Art Camp 2012
‘Variable Operatives’ at The Guild India
The London Art Fair 2012
Is branding the reason for Indian art's popularity...
Should art be for art's sake alone?
'Milon Mukherjee's new solo
What’s so (not) special about Damien Hirst’s spot ...
“I’ve always been a colorist’
A kaleidoscopic view of a staunch feminist’s oeuvr...
A rebellious practitioner who fights for a cause
Peeping into Rekha Rodwittiya’s painterly realm
Famous French artists send your personalized portr...
The new media art attracts collectors
Major shows of video art underline its rising stat...
Vivaciousness and vibrancy of video art is its USP...
Painting the grandeur and glory of New Delhi
Asian art gallery at the MFA, Boston
‘Listen to your Eye’ by Sharmila Samant
‘Painting the Modern in India’ at PEM
World-renowned institutions show interest in India...
Picasso and Mondrian paintings stolen
Spotlight on one of India’s young and talented art...
Socially oriented agenda of a sensitive artist
Mapping Praneet Soi’s art and career
What constitutes 'a painting'?
A spotlight on India’s late legend
The life and journey of late MF Husan
Four reasons that make Indian art a value buy for ...
‘Buying art gives get a psychic reward.’
What does prompt high-profile collectors to buy ar...
Probing the link between art prices and classic ec...
Fathoming The Otolith Group’s work on showing in I...
‘Westfailure’ at Project 88
An Absolut achievement for Bharti Kher
Why are investors looking for alternative asset cl...
‘Alice in Wonderland’ by Mrinal Dey
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2011
(760)
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December
(74)
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November
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October
(71)
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September
(65)
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August
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July
(70)
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June
(61)
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May
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April
(56)
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March
(58)
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February
(49)
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January
(54)
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2010
(415)
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December
(40)
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November
(35)
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October
(38)
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September
(41)
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August
(36)
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July
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June
(27)
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May
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April
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March
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February
(28)
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January
(25)
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2009
(147)
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December
(20)
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November
(23)
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October
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September
(55)
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August
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July
(4)
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prashant
Joseph Chakola
artexpoindia
Ashok Nayak
gallery Archana
Ajay Rajgarhia
